Mad as a March Hare! March Madness! Beware The Eyes of March!

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[this is good]

A refreshing thought on the damage that the cultural industrialisation has become. Business as manipulation it certainly is and I agree that civil servants are proudly pushing government policy as art of course. Intervention into the artistic fabric of the day to day is a tragic development. Indeed, cultural industry was a term which was fiercely derided and debated in the early to mid 1990s. Now its accepted common language and way of being for many people (and artists).

As a strategy to this, I continue to disengage from this persuasive financial and political process. Anonymity as hoax and prank work for example, humiliating the art mainstream at

If I had known that my previous comment was limited in character numbers (it probably says something helpful about this somewhere), then I would have directed my full comment to my blog re: Birmingham Counterculture. So if you would like to read the full comment posting please go to this it via this link:

http://birminghamcounterculture.blogspot.com/2008/10/following-article-appealed-growing.html

- Mr/Miss/Mrs/Ms B

Thank you for your comments. It's interesting that 8 months after posting and 12 months after the original piece- it has appeared on CIB. Not really sure why it’s been picked up now – but it’s of little relevance as any dialogue around these issues will not be discussed openly within the current climate. Unfortunately, nothing much has changed and my views remain the same. My piece refers specifically to the human act of creation and the processes which have been lessoned in value by having this type of tangible financial value placed upon them. I am not against funding of arts, that is an essential patronage that should be encouraged. I make comment on the current funding strategy, system and implementation together with those entrusted with it's management. This is not limited to the Midlands and as my own work is much wider both geographically and culturally, the microcosm of it's impact in a smaller space like the Midlands only serves to illustrate the impact in a magnified way. Unfortunately these issues cannot be separated from politics. Politics, that is, in social terms rather than political parties - who have little or no relevance today. Whether by design or stupidity, we have central government policy delivered by Civil Servants. This initiates a generic roll out for regional policies to be ‘interpreted’ by Civil Servants as economic strategies through local government and RDA’s and/ or those who are either tasked with or are self appointed to also ‘interpret’ through their ‘experience’ of creativity, arts and culture. Added to this are the accountants and business graduates who, if you have ever spent any degree of time with, live vicariously through their client base and as such arrive at ‘opinion’ based of the financial concerns of their clients. In effect, in the words of Oscar, they know the price of everything and the value of nothing. Would any other ‘industry’ entrust their future to those who know least about it? Unfortunately the effect of such conditions placed on patronage are not to encourage creativity or individual comment, but to encourage work after their own likeness. It's a God complex. Creativity has ceased to engage, speak for or portray the social, political or human climate we live in and has failed to challenge, provoke or detach itself from the short leash that a cap in hand approach has led to. We are throwing bad money after bad money, often avoiding the root cause of a failing in creative practice. Often the root cause is the money itself. I see little art that challenges and I see a lot of faker’s. Creativity is about questioning and arriving at another place as a result of it not being directed by those only interest is self promotion. If creative’s don’t question the remit, knowledge and appropriateness of those deriving substantial income from their having engaged with these schemes, they are selling themselves short. Creativity is the nucleus of these parasite agencies, advisers, funds and property developers who use creativity as a brand by which to profit not the reverse – Only my opinion, but with the current creative climate, any honest opinion seems rare.

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Anthony J Hughes

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Anthony J Hughes
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